Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
$7USD or more
Cassette + Digital Album
Bask in the glory of a hand made overdubbed cassette, made as intuitively as the rest of this album. Each one unique, both in decoration and content. We can guarantee the music will be mostly this album, with surprises as well. The edition is limited/limitless, but not specified.
Includes unlimited streaming of Seven Count
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Air enters through the nose, deposits oxygen into the bloodstream via the lungs, and is pushed out again through the mouth, vibrating a reed, passing through a modifiable architecture of valves and bells, and re-entering the atmosphere as CO2.
As musicians, we know this linear account is both true and false. The air we breathe is thick with old sounds, already processed by ancient lungs, still resonant. Our breathing is a re-performance, a cover, of when the first lung synchronized its existence with the first fern. The songs we play are rumors of what they were, and shells of what they are trying to be.
Through email threads that snake in and out of one another, continent-hugging video calls, and punctuating moments of collective improvisation, we are making the folds in our experiences of space and time more audible. Radio has been a key metaphor, a space and non-space where presence and present-ness is always up for grabs. We began by overlaying the shards of time that are traced on vinyl records in a radio broadcast in June. Then we played a show in October accompanied by the recording of that broadcast, replaying it on a private (pirate) radio station. In December, we folded bits of both of these together with a more traditional recording session in a 19th century carriage barn, but the folding itself became a new kind of transmission. None of our tactics seemed capable of capturing time; they knotted it more. This album documents a documenting that ceased to mirror events the way recording devices usually do, but instead --we think-- became more like memory itself.
released April 29, 2017
Adam Tinkle: Saxophones, bass, electronics, field recordings, samples
Jake Nussbaum: Percussion, saxophone, bells, field recordings, samples
Angus McCullough: Trumpet, other horns, vocals, piano, field recordings, samples